It's strange looking back to before starting on these because at the time my attitude was 'it's never gonna happen' and 'I'm never gonna think of any good ideas lets alone write them.' But I feel like the creative door is most definitely open and I'm constantly thinking and seeing things in terms of animations and possibilities in everything. It's surreal because it feels natural and like its always been that way.
George Mcfly said it right: 'If you put your mind to it you can accomplish anything.'
Where I'm at now is in rewrites of Book, Salesman, Vampire and Deadline. The two with the most potential and are in the best shape at the moment are Book and Vampire. Book's potential is with a company like Ardman who are a little leftfield and would appreciate the story's twisted irony. Vampire has big potential within a short or feature animation with a company who produce Pixar/Blue Sky-esque animations.
An animation lecturer at the university read Vampire and recommended it as a good and achievable short for the first year animators. I was surprised with his response and will definitely follow it up. That would be the internal monologue version as I think characters talking/lip syncing would be too advanced at that stage. Plus I've yet to replace the internal monologue with real time dialogue. So that's something to aim and look forward to.
Otherwise, the future is in getting those current four scripts written to their best and developing the new batch. Not to mention thinking more in terms of smaller and simpler situations for future ideas.
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